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Best Wide Angle Lens for Sony A7III [2021 Review]

Published: 24/02/2021

As an Amazon Associate we earn from qualifying purchases.

The Sony A7III has pro-level features and excellent image quality, and you can maximize that in real estate photography with the right wide angle lens. With that, we're going to help you pick the best wide angle lens for the Sony A7III, along with the factors to consider.

Best Wide Angle Lens for Sony A7III

You can use any lens particularly made for full-frame cameras, although the best lenses for Sony A7III are those with wide angle focal lengths between 12mm to 35mm. Additionally, the features should suit your technical needs and shooting style.

With several available wide angle lenses for the Sony A7III, we're going to walk you through the top picks and see which ones can help level up your real estate photography.

Best Overall
Sony FE 12-24mm f/4 G
Best for Landscape Photography
Sony FE 16-35mm f/2.8 G-Master
Best Affordable Lens
Sony FE 28mm f/2
Sony - FE 12-24mm F4 G Wide-Angle Zoom Lens...
Sony - FE 16-35mm F2.8 GM Wide-Angle Zoom Lens...
Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens...
Maximum Focal Length
24 millimeters
35 millimeters
28 millimeters
Maximum Aperture
Best Overall
Sony FE 12-24mm f/4 G
Sony - FE 12-24mm F4 G Wide-Angle Zoom Lens...
Maximum Focal Length
24 millimeters
Maximum Aperture
Best for Landscape Photography
Sony FE 16-35mm f/2.8 G-Master
Sony - FE 16-35mm F2.8 GM Wide-Angle Zoom Lens...
Maximum Focal Length
35 millimeters
Maximum Aperture
Best Affordable Lens
Sony FE 28mm f/2
Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens...
Maximum Focal Length
28 millimeters
Maximum Aperture

Sony FE 12-24mm f/4 G 

Being the widest lens currently available for the A7III, the Sony FE 12-24mm f/4 G lens is a better option for real estate photographers who need a wider starting focal length. The broad perspective is also perfect if your style involves adding drama to the scene.

Sony - FE 12-24mm F4 G Wide-Angle Zoom Lens...

Even if the slow maximum aperture of f/4 would make it difficult to separate the foreground from the background, your shots remain sharp when you use f/5.6 onward. Despite the lack of image stabilization, the lens doesn't create much blur when paired with the A7III.

While the Sony 12-24mm f/4 is less expensive than the 16-35mm f/2.8 GM, expect a bit of vignetting and softness in the frame's corner when shooting at the widest aperture. Still, the optics keep lines straight, not curved or bowed.

Furthermore, its Motor AF system delivers quiet yet precise autofocus, as well as intuitive manual focus control. Since its maximum length is only 24mm, it has faster internal focusing and zooming than the first lens. Additionally, the shorter length makes it weigh less than the 16-35mm f/2.8 GM.

The downside is that like most ultra-wide lenses, this FE 12-24mm G lens features a bulging optical front element, which means it's difficult to attach filters. Thus, you would have to be extra careful when shooting at spaces with reflective surfaces and difficult outdoor lighting conditions.

However, this G lens makes up for this by having a Nano AR coating that reduces flare, ghosting, and surface reflections to increase contrast and color rendering. It also uses moisture- and dust-sealed design so that you can shoot exteriors safely.


  • Quiet yet fast and sharp autofocus
  • Stunning depth of view at f/4
  • Improved clarity, contrast, and color rendering
  • The almost-fisheye length gives dramatic yet pleasing distortions


  • Can't use filters
  • Lacks image stabilization
  • Slower maximum aperture
Sony - FE 12-24mm F4 G Wide-Angle Zoom Lens...
  • G Lens design for corner-to-corner high resolution
  • Maximum magnification ratio (x) :0.14.Premium Optics; 4 aspherical, 1 Super ED, 3 ED glass elements
  • Constant F4 max aperture maintains exposure and Depth of field

Sony FE 16-35mm f/2.8 G-Master

Combining wide angle perspective and zooming capacities in one, the Sony FE 16-35mm f/2.8 GM is among the top wide angle lenses for Sony A7III. It offers great exposure settings for expansive subjects, which is perfect if you specialize in interiors and exteriors with landscapes.

Sony - FE 16-35mm F2.8 GM Wide-Angle Zoom Lens...

The small f-stop results in fast yet silent focusing, especially for properties with low lighting. Although bokeh doesn't play a significant role in real estate photography, the faster maximum aperture enables you to achieve a certain degree of background blur to highlight elements in a frame.

Being a G-Master lens, its optical engineering captures powerful resolution. The sharpness is also unparalleled thanks to the image stabilization feature. When paired with the excellent imaging capacity of the A7III, this wide angle lens renders high-resolution photos across the whole focal length.

In effect, you can use a fast shutter speed and get enough light for indoor, sunrise, and sunset shoots. Even when you shoot outdoors, the weather sealing makes the lens well-built and protected against moisture and dust.

Aside from that, this GM lens allows the use of filters to minimize glare, and consequently, enhances colors. With that, you can shoot even if the room has several reflective surfaces, like mirrors and metal countertops.

Like most Sony lenses, the Sony 16-35mm f/2.8 lens tends to have modest barrel distortion at 16mm. However, it's not that bad, especially if you can post-process on Lightroom.

Withstanding flaws in distortion, all of the amazing features come with a hefty price tag. Nevertheless, this is a worthy investment that you can maximize for all your real estate and indoor photography needs.


  • Fast maximum aperture for autofocus
  • Great sharpness from center to the edges of the frame
  • Flexibility from wide angle to zoom
  • Weather-sealed and solid build


  • More expensive than others
  • Minimal distortion and chromatic aberration at 16mm
  • Heavy weight
Sony - FE 16-35mm F2.8 GM Wide-Angle Zoom Lens...
  • Designed to achieve 50 Line pairs/mm resolving power
  • Two XA (extreme aspherical) elements w/ high surface precision. Minimum focus distance - 0.28 m...
  • Constant F2.8 max aperture maintains exposure and Depth of field. Hood Type : Petal shape, bayonet...

Sony FE 28mm f/2

While its fixed focal length is more like a wide angle prime lens, the Sony FE 28mm f/2 is convenient to use when you want to get more of the scene in focus. You can also pack light when you pair this small and affordable lens with the mirrorless A7III.

Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens...

With a fast maximum aperture and broad depth of field, this is great for interior photographers who also like taking close-up shots. Although there's outstanding center sharpness at f/2, you might encounter some loss of clarity at the corners.

Moreover, the wide aperture also supports fast shutter speeds, which is perfect for interior and outdoor lighting. It also does a good job of creating a shallow depth of field.

Shooting at 28mm may sometimes feel like you're using 24mm, which allows you to capture the whole scene in focus without negatively affecting the composition. Although note that the narrower angle of view means you need more distance to frame the subject.

Much like a 35mm lens, this wide angle lens lets you shoot important interior elements from a short distance while still capturing a lot of the surroundings in the frame. If you need to add some bokeh shots, the lens can also produce creamy backgrounds while keeping subjects sharp at f/2.

Similar to the FE 12-24mm, this one lacks image stabilization. As a result, it tends to rely heavily on the A7III for corrections. While this may result in loss of sharpness, you can use smooth autofocus and manual focusing to improve clarity.

Despite its simplicity, the lens also has dust and splash-proof construction. On top of that, you can enjoy all of these features at an affordable price. In fact, this is the cheapest lens that's suitable for the A7III.


  • Fast maximum aperture rated at f/2
  • Small and lightweight
  • Cost-friendly price
  • Good autofocus and manual focusing


  • No image stabilization
  • Not as sharp as the other lenses
  • Fixed aperture
Sony SEL28F20 FE 28mm f/2-22 Standard-Prime Lens...
  • A perfect match for α7 series, 35mm full-frame E-mount cameras, Outstanding optical performance in...
  • Angle of view (35 mm)75 °,Angle of view (APS-C) 54 °.Minimum Focus Distance : 0.96 ft(AF) / 0.82...
  • Dust and moisture resistant design, 9-blade circular aperture contributes to gorgeous bokeh, ED...

Sony Zeiss Vario-Tessar FE 16-35mm f/4 ZA OSS 

What sets the Sony-Tessar 16-35mm ZA OSS lens apart from the others is the addition of Zeiss T* coating, which optimizes light efficiency in any situation. As a result, you can suppress reflections to retain crisp yet natural color contrast and saturation. 

Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount...

When paired with the A7III, shooting at f/4 achieves sharpness from corner to corner. The downside is that, like the other wide angle lenses, you can't avoid some distortion when shooting at 16mm, making the lines curve inward a bit.

The good thing is that it's already optically stabilized, and when you attach it to the A7III, you get impressive image stabilization. 

Even with a large front element, the lens supports front filters for preventing glare. Add a reversible lens hood to counter lens flare, and you can shoot exteriors quickly, even if the sun is showing up toward the edge of the frame.

It may be a small thing for others, yet the lack of buttons or switches on the metal barrel adds a unique twist for a wide-zoom lens. When set to the widest angle, you can easily grip the big zoom ring, and the lens would extend a bit.

Furthermore, there's barely any resistance when turning the ring, although it does build up as you refocus. That said, be careful as it can be fairly easy to move the focus ring and ruin your focus point.

Lastly, this Vario-Tessar lens has a dust and moisture-resistant construction like the FE 28mm, making this suitable for unexpected exterior shoots. It also remains light and compact despite the maximum aperture and angle of view. 


  • Beautiful color contrast and saturation
  • Optically stabilized design
  • Broad angle of view and fast maximum aperture
  • Dust and moisture-resistant construction


  • Forms some distortion
  • The aperture may be limiting for some people
  • The focus ring has poor resistance 
Sony 16-35mm Vario-Tessar T FE F4 ZA OSS E-Mount...
  • Ideal for landscapes and the a7 series of full frame cameras, ZEISS T (T star) coating to reduce...
  • Minimum Focus Distance: 0.92 feet (0.28 m), Maximum Magnification ratio: 0. 19x, Focal-Length: 5/8 -...
  • Three ED glass elements suppress chromatic distortion, constant F4 maximum aperture throughout the...

Sony FE 24mm f/1.4 G-Master

The Sony FE 24mm f/1.4 is an excellent option for real estate photographers who prefer to shoot wide open, both in terms of focal length and aperture. It also compliments the high-megapixel sensor of the A7III, exhibiting excellent image quality from the center to the edges.

Sony E-mount FE 24mm F1.4 GM Full Frame Wide-angle...

Although it has a fixed focal length, its most appealing factor is the maximum aperture of f/1.4, creating beautiful images that maintain sharpness across the frame. It can even form bokeh when focusing on nearby subjects, creating a 3D-like pop effect.

More than that, its precise and consistent autofocus works well in low-light situations. Since it uses a new type of AF motor, the focusing is snappy and high-torque yet silent. 

If you also offer videography services, you would benefit from the focus distance that remains consistent regardless of how fast you rotate the ring.

Although it lacks optical image stabilization, the A7III's built-in stabilization can resolve this. Unlike other wide angle lenses faster than f/2.8, the Sony FE 24mm f/1.4 doesn't suffer from chromatic aberrations.

Even though you won't see significant flares or ghosting, it allows the use of standard rotating polarizer and grad filters. 

Weighing in at only 0.98 pounds, this 24mm lens is very light for a full-frame wide angle lens that features a fast maximum aperture. Its compact size and overall weight also give a balanced feel when attached to the A7III. Similarly, the size improves mobility and portability.

However, like other G-Master wide angle lenses, the 24mm doesn't come cheap, although the price is worth every cent as you take impressive real estate photos.


  • Supremely sharp focus
  • Good resistance against flares or ghosting
  • Fast maximum aperture of f/1.4
  • Repeatable yet consistent focus throws


  • Fairly expensive
  • Lacks optical image stabilization
  • A bit of focus pulsing
Sony E-mount FE 24mm F1.4 GM Full Frame Wide-angle...
  • Compact Master wide prime Lens w/stunning wide-open resolution
  • F1.4 max aperture provides extraordinary exposure and Depth of field
  • G Master design combines extraordinary sharpness and smooth bokeh

Sony Distagon T* FE 35mm f/1.4 ZA

Designed for E-mount cameras like the A7III, the Sony Distagon T* FE 35mm lens is for real estate photographers who need this field of view to pull a lot of background elements into the frame. 

Sony SEL35F14Z Distagon T FE 35mm f/1.4 ZA...

If you struggle with compositions or want to avoid cartoon-like exaggerations, the focal view greatly helps frame subjects according to the rule of thirds.

However, it would be best to use this wide angle lens with a tripod since it doesn't have optical stabilization. Using the A7III's built-in sensor-shift stabilization can also help.

Optically, it can compete with G-Master lenses. The lens offers super sharpness in focus areas yet can also create buttery smooth out-of-focus portions. As a result, you can capture interesting backgrounds in a property that show a sense of dimension for a more pleasing look.

Similar to the Vario-Tessar 16-35mm lens, this one incorporates Zeiss quality optics to provide superior color contrast and resolution throughout the photo. Additionally, the Zeiss coating suppresses internal and external reflections so that you won't have to worry about flares as you shoot with ambient or scattered light.

There's minor to moderate barrel distortion, although it's not distracting. Besides, most cameras, like the A7III, can correct it automatically.

More than that, the 35mm f/1.4 is among the first Sony E-mount lenses to include a physical aperture ring, making it more convenient to control light.

However, the ring requires you to rotate it quite a bit to move the focal plane to longer distances. The responsiveness results in a smoother, more natural defocusing, although it's slower compared to other wide angle lenses.

Even if this wide angle lens looks heavy and bulky, the aspherical lens design significantly minimizes spherical aberration, which subsequently reduces overall lens weight and size.


  • The superior contrast and image quality
  • Responsive aperture ring
  • Minimal chromatic aberration and distortion
  • Fast maximum aperture of f/1.4


  • Bulky construction and a bit heavy
  • Slow defocusing at longer distances
  • Lacks optical stabilization
Sony SEL35F14Z Distagon T FE 35mm f/1.4 ZA...
  • A perfect match for α7 series, 35mm full-frame E-mount cameras, Outstanding optical performance in...
  • Filter diameter (mm): 72 mm.Minimum Focus Distance : 098 ft (03 m), Maximum Magnification ratio :...
  • Bright F14 maximum aperture, Aperture ring designed for still or movie shooting, Corner to corner...

Sigma 12-24mm f/4.5-5.6 DG II HSM Lens

The Sigma 12-24mm DG II HSM is the best third-party wide angle zoom lens compatible with the A7III. Even with an extreme field of view, you can achieve high image quality throughout the zoom range without exaggerated perspectives.

Sigma 12-24mm f/4.5-5.6 AF II DG HSM Lens for Sony...

One of its main benefits is the rectilinear field of view, which keeps walls and columns appear straight. In effect, you can emphasize subjects on a broad space with little to no barrel distortion. 

This wide angle zoom lens uses low-dispersion glasses elements to deliver excellent color aberration correction. In addition, a multi-layer coating reduces flare and ghosting, which is a common occurrence when extraneous light hits the glass.

Although slightly softer at 24mm, it provides sharpness in the center even with a wide-open aperture. However, stopping down gradually improves the corners at 12mm.

As opposed to the focusing of conventional lenses that requires an extension of the whole lens, the 12-24mm doesn't change length during focusing. Instead, it has a system that only moves elements within the lens barrel.

The unchanging barrel length also enhances balance and stability in the overall camera and lens setup. Since the front doesn't rotate, you can use polarizing filters for convenience. 

The downside is that it can be a bit tricky to find the best focus point. In real estate photography, a wide range of subjects would appear at various distances, so you may have to use manual focus rather than autofocus in most cases.

It's typical for an ultra-wide angle zoom lens to have a sizable optical front. While the zoom ring weighs a little heavy, this helps settle the focus point.

Like the Distagon lens, this 12-24mm lens contains aspherical lenses that result in compact and lightweight construction. Thus, it would be easy for you to use and carry the lens across different properties. 


  • Unchanging barrel length
  • Very sharp at the center for the whole aperture range
  • High contrast images even at the optimum apertures
  • Multi-layer coating reduces flare and ghosting


  • Tricky autofocus point
  • No image stabilization
  • A moderate amount of chromatic aberration
Sigma 12-24mm f/4.5-5.6 AF II DG HSM Lens for Sony...
  • Compatible with full frame digital SLRs
  • Ultra-wide 12mm focal length
  • FLD and SLD lens elements

Zeiss Batis 18mm f/2.8

The Zeiss Batis 18mm f/2.8 is another powerful wide angle lens that is compatible with the A7III. Despite its minimalist design, its features can meet the image quality and detail requirements of real estate photographers.

Zeiss Batis 2.8/18 Wide-Angle Lens for E-Mount,...

When photographing properties, it's crucial that you can produce vivid colors and richly saturated images to create a lasting impression. 

However, working with stray light sometimes creates unnecessary shadows and reduces image contrast.

The Zeiss technology avoids that by combining a fast maximum aperture and broad viewpoint for impressive light-gathering abilities. In this way, you can make a real estate shot look like it's popping off the screen.

The sweet spot is around f/4 to f/11, yet there's sharpness across the whole frame, even at the maximum aperture. However, setting beyond f/16 results in little distortion and vignetting, especially at the extreme corners.

Image stabilization isn't its strongest asset, although connecting it to the A7III saves you from unwanted motion shakes, particularly when shooting handheld.

Unlike the other lenses, the Batis 18mm enables you to accurately check the depth of field and focus distance using the OLED display on the lens barrel.

Aside from fast and accurate autofocus, there's an infinite scroll focus ring that makes it easy to control manual focus. You can also set the aperture all the way down for an on-the-spot focus, even in high-contrast situations. 

Finally, while the minimalist design in the barrel looks appealing to some, other people might miss the controls and locks that most Sony lenses contain. The plastic components don't look cheap. If any, it feels solid and well-balanced on the A7II.


  • OLED display for reading depth of field and focus distance
  • Fast and accurate autofocus
  • Small and lightweight
  • Sharpness across the whole frame


  • Moderate distortion and vignetting at wide apertures
  • Fairly expensive
  • No built-in image stabilization
Zeiss Batis 2.8/18 Wide-Angle Lens for E-Mount,...
  • VERSATILE FULL-FRAME LENS: The powerful lens for the mirrorless full-frame system of Sony fulfills...
  • EXCELLENT RESOLUTION AND HIGH CONTRAST: Richly saturated and vivid colours are a must in the...
  • ROBUST AND WEATHERPROOF METAL CONSTRUCTION: Thanks to features that are designed to keep out dust...

Tamron 17-28mm f/2.8 DI III

The wide angle zoom of the Tamron 17-28mm DI III is a great alternative if you want something similar to native Sony E-mount lenses, yet at a lower cost. With a competitive price and optical performance, this is perfect if you want to try wide angle zoom lenses without spending excessively.

Tamron 17-28mm f/2.8 Di III RXD for Sony...

Shooting wide open doesn't downgrade edge-to-edge sharpness, although the center sharpness is best between f/2.8 and f/16. Pushing at 28mm f/22 tends to falter sharpness and form a noticeable color cast on the corners.

In terms of perspective, the field of view can make the foreground elements appear more prominent and better emphasized while also keeping the background in tack focus. Be sure to pay attention when balancing the composition if you're usually working with a vast amount of background points in properties.

Fortunately, this wide angle lens is fully compatible with the Direct Manual Focus system of Sony cameras, allowing you to shift from manual focus to autofocus instantly. The focusing system is also satisfyingly quiet and fast when mounted on the A7III.

Moreover, there are no other external features on the lens barrel other than the zoom and focus rings, so it has a minimalist design like the Zeiss Batis.

The drawback is that the focusing ring is much narrower than the zoom ring, so the focusing ring can sometimes be difficult to locate when moving too fast. Additionally, the lens doesn't include image stabilization, although the A7III can cover that for you.

The Tamron 17-28mm f/2.8 isn't exactly small and lightweight, although the weight is somewhere between the Sony 16-35mm and the Zeiss Batis, despite all of them having the same fast maximum aperture of f/2.8.

What makes this Tamron rather unique is its lighter weight, as well as cheaper cost, even in accessories, making it an ideal first wide angle lens for beginners.


  • Balanced foreground to background focus
  • Good sharpness across the frame
  • Crisp aspherical front optics
  • Competitive price


  • Narrower maximum viewing angle
  • No image stabilization
  • Some pincushion distortion when zooming in
Tamron 17-28mm f/2.8 Di III RXD for Sony...
  • World's most lightweight large aperture wide-angle zoom in its class (smaller than original F4 lens)
  • Superb image quality high mtf performance (utilizing the camera body compensation)
  • The RXD stepping motor unit is exceptionally quiet

Factors to Consider in a Wide Angle Lens for Sony A7III

Your equipment also influences the outcome of your real estate shoots. For you to capture a big scene and create a close-to-subject perspective, it's important that you weigh in these factors when selecting wide angle lenses for the Sony A7III.

Also make sure to check out the overall best lens for the Sony A7III.

Focal Length

The term wide angle covers a broad range of focal ranges. For full-frame cameras like the A7III, wide angle lenses can be anywhere between 20mm to 35mm. Meanwhile, an ultra-wide angle lens features a focal length shorter than the sensor's short side, like the 12mm, 14mm, 16mm, and 18mm.

While you can consider your shooting style, keep in mind that your job as a real estate photographer includes capturing a broad perspective in the frame, yet without making the subjects appear distorted or tiny.

For real estate photography, you would want to have the flexibility of changing focal lengths to change perspectives while also ensuring you have a handy wide angle length. This is why you can choose between wide angle lenses that either have a fixed length or zoom varieties.

A camera lens for Sony


The versatility relates to the focal length as the range determines whether you only need to bring one lens or pack a different kind. For instance, the Sony FE 28mm, Sony 24mm, Sony Distagon 35mm, and Zeiss Batis 18mm all have fixed focal lengths suitable for general broad shots.

On the other hand, if you need better variation in terms of broadness, both 12-24mm lenses from Sony and Sigma cross the line between wide and ultra wide angle.

Lastly, the Sony 16-35mm f/2.8 GM, Vario-Tessar 16-35m, and Tamron 17-28mm f/2.8 add a bit of zoom, which are beneficial if you also like to take some tight shots.

Maximum Aperture

Aperture is an essential feature to consider when buying any kind of lens because it determines how much light the lens can get through the camera sensor. The Sony 24mm and Distagon 35mm have the widest aperture, while the Sigma 12-24mm contains the narrowest aperture.

The wider the focal length, the better details and focus you can get from foreground to background. For real estate photography, it's good to pair a broad focal length with a fast maximum aperture to ensure clarity.

The maximum aperture should depend on your shooting needs. In general, these are the things you need to consider when choosing aperture ranges.

  • A lens with a fast maximum aperture is necessary if you need to shoot in low-light situations or use fast shutter speeds. 
  • A wide aperture enables you to increase bokeh and achieve a shallow depth of field to create an aesthetic background blur.
  • A fast lens, like f/1.4 and f/2, can work better in dark places than those with f/5.6 and beyond.
  • You may not need to shoot real estate photos with fast-moving objects, although it's good to remember that a faster maximum aperture allows you to freeze motion better.
  • Faster lenses capture more natural light.


Real estate shots require you to have a higher depth of field and sharpness from the center to the edges of the frame. All of the wide angle lenses have excellent sharpness, and it's just a matter of how you balance the aperture value and field of view.

Sharpness tends to falter as you move away from the peak aperture setting of the lens. However, some can retain a high level of image sharpness even as you use the widest aperture setting.

Thus, it's not enough to look in the LCD if the image is sharp. You also have to check if the resolution remains great towards the frame's corners, especially at faster apertures.

Image Stabilization

Although you would probably use a tripod to keep your shooting gear stable and at the right height, it helps to have a lens with image stabilization properties to avoid camera shake.

The good thing is that lenses with wider focal ranges have less tendency to amplify vibrations. The two 16-35mm lenses from Sony contain image stabilization capacity to help minimize or avoid motion blur when shooting handheld or in low light.


The weight of a lens depends on the number of optical elements and moving parts. The longer the focal length, the more components inside, and consequently, the heavier the weight.

The good thing is that even ultra wide angle lenses now contain fewer aspherical lenses without sacrificing image quality. As a result, they can balance performance and weight. Remember, you have to bring around the lenses from room to room, so portability is essential.

At 1.35 pounds, the Sigma 12-24mm lens is the heaviest, mainly because of its focal and aperture ranges. On the other hand, the Sony 28mm is the most lightweight at 0.44 pounds.  

Person holding a Sony A7III camera


Filters are photography accessories that help minimize glare, reflections, and ghosting by fully or partially reducing the amount of light that enters the lens.

Most wide angle lenses include an optical coating to minimize glare even without filters, although the Sony FE 12-24mm is the only lens in this list that doesn't accept filters.


Investing in photography equipment can be costly. There are times when lenses cost more than the camera body. In addition, the faster the maximum aperture, the higher the price tag.

While considering the budget can narrow down your choices, make sure that it won't limit the vital features you need for your real estate shoots.

Frequently Asked Questions

Is the A7III Good for Real Estate Photography?

The A7III is a compact camera packed with several features, including incredible autofocus and high image resolution necessary for real estate photographers. It accepts interchangeable lenses, so if you want to try various shooting styles, you can use a wide angle, wide angle prime, ultra wide angle, and even a wide angle zoom lens.

What Does a Wide Angle Lens Do?

Unlike a prime lens, wide angle lenses enhance perspective by making subjects closer to the camera look more prominent than those farther away, despite having the same size in reality. For real estate, the short focal length and wide field of view capture more of the scene than a prime lens.

Can I Use a Prime Lens for Sony A7III?

You can use a prime lens, although its biggest disadvantage is the fixed focal length that's not wide enough for real estate shots. While prime lenses provide excellent optics and faster light-gathering abilities, you might have space restrictions when you need to move farther away to photograph a vast space.

Can I Use Third-Party Lenses for a Sony Camera?

Yes, there are plenty of suitable lenses from other brands. However, the advantage of getting a native Sony lens is that the A7III has software in it to do all the lens corrections in camera. Hence, you wouldn't have to do those corrections in Lightroom or Photoshop.

Final Thoughts

The right wide angle lens for your Sony A7III large depends on your photographic needs. However, whatever your requirements, any lens from this list can serve as your camera's partner for several shoots and help grow your real estate photography career.

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13 comments on “Best Wide Angle Lens for Sony A7III [2021 Review]”

  1. Steven, re: I’m checking Amazon every day..........

    GREAT care is needed with Amazon or for that matter any online shop offering anything including the kitchen sink. One doesn't always receive a NEW product but a return which has been in someone else's hands. I myself have received such a product which I sent straight back. A colleague of mine ordered a LEE filter set. He had to spend a very long time cleaning these before he could use them. I use LEE myself and no way would they send products out in such a condition. As for buying a camera or lens on Amazon - NO WAY!! You are better off going to a reputable camera dealer. OK, it may cost you a dollar more but the extra price is well with it thus ensuring you get NEW UNUSED equipment. In addition you don't have the hassle sending it back.
    If a reputable camera dealer does get a return then they will offer this complete with a guarantee as used equipment.

    One final point, our equipment is tax deductible so why risk getting secondhand goods?

  2. When the new Nikon APC 10-20 came out I pre-ordered from Amazon and was pleased with the service. My serial # on the lens is very low but I will heed your warning and inspect it carefully. How reputable is a NY based company who doesn't even have the ability to answer phones in the U.S anymore?

  3. Steven...Don't limit yourself to Amazon, and I say that as a Prime customer. I buy a lot of things there, but given a choice, not camera or lens. Remember, prices are controlled by the manufacturer so "factory authorized" will be the same everywhere. If lower, probably gray market. Sometimes dealers will give special deals to get around it, like B&H and Adorama will have 4% rebates for future purchases, but they still have to charge the manufacturer's price. Best Buy even gets into it with their free "My Best Buy" as all purchases qualify for the the basic rebate, and $1500 bumps it into the mid-range, where the top level and 6% back hits at $3500. Just don't go too far over $3500 as the excess doesn't carry over Jan 1 for a head start repeating the next year. On the A7III, it is too early for B&H or Adorama to offer the rebate like they do on the A7RIII and A9. I personally use the FE 16-35 f4 for real estate, as well as a walk around. It is a great little lens. While Best Buy can pick up or ship to store. Amazon always goes to my home. B&H have no problem re-directing to UPS Store a mile from home with "My UPS" where ALL packages have to be signed for - even if not otherwise required. Adorama's shipping policy prohibits re-direcing and either sits at my front door, or I have to make special re-delivery request if signature required. Guess who my preference is!

  4. Steven, I am currently using the Sony Zeiss FE 16-35mm Vario-Tessar and the Sony FE 16-35 f/2.8 GM. Both are great lenses, but the GM lens is overkill for real estate because it really shines at larger apertures. For real estate, I'm going for higher depth of field and sharpness (almost always shoot at F8), so I don't recommend springing for the GM over the Zeiss. However, I don't know anything about the Sigma lens. I generally avoid using non-native lenses because I've had mixed success in the past with autofocus capabilities and it introduces another possible point of failure in my system. When I started out, I used a less expensive, non-native lens, and I was disappointed with the lens quality. If it were me, I'd spend the extra $ on the Zeiss FE 16-35 Vario-Tessar.

  5. While I agree with the sentiments above about buying a camera in store, it's not out of fear for receiving a faulty product. Amazon is solid and if something is off, they almost always make it right. When you spend a lot of money on an important item, it's nice to have a professional there to walk you through the options, answer questions on the spot, and provide the opportunity to actually see and handle the item. Do this with your camera equipment, it's worth the time. Also, when buying a wide angle lens for RE photography, you can skip the extra cost associated with a f/2.8 aperture, f/4 is totally fine, you're typically shooting somewhere between f/8 - f/16. If you decide to grab a more diverse focal length (24-70 or some variation) it's valuable to pay up for the f/2.8 as you'll likely use that same lens for other areas of photography that can benefit from the shallow depth of field obtained with the wide aperture.

  6. I have both the 16-35 4, and the 12-24 4, they are both excellent lenses. The 16-35 4 is my staple, pretty much perfect for most homes. The 12-24 4 works great too, but it naturally vignettes, so it requires more steps in LR, and you just about have to apply lens correction before you do anything else in LR, because the vignette correction radically changes how you set the exposure level overall. It's not the order I usually work in, but if you do the vignette last, you have to redo the exposure slider on every frame.

    The 12-24 is my goto video lens though, since switching to video gives you a different usable focal length then stills, perhaps a 5-10% crop.

  7. @Larry Gray, if you have or get a PO Box, you can sign up (free) with them to receive packages from other services so you don't have stuff sitting on your door step. The post office puts a card in your box to notify you they are holding a package or the keys to a parcel locker if they have one. You use the post offices physical address along with your box number, ie: 123 main st. #1234, which is also useful when companies won't ship to a PO Box or can't (UPS, FedEx). I don't have anything delivered to the house and haven't for years.

  8. "Another reason for getting a native Sony lens is, the A7III has software in it to do all the lens corrections in camera." If you use a lens mount adapter with electronic couplings and a modern Canon-mount electronic lens, the lens information will be relayed to the image file and and any processing software will be able to use this info to apply the necessary lens profile corrections. I believe that it works the same with other modern lenses by other manufacturers. I use a variety of Canon lenses on Sony A7 series cameras via an adapter. This is a major advantage of using a mirrorless camera. Regarding lens profile corrections, I believe the only strong reason to have this done in the camera is when shooting jpegs. When shooting RAW, I believe it does not matter, except for lenses that are recently released and for which the various RAW processors do not yet have a lens profile.

  9. I see B & H has a few in stock so I wanted to share this with my fellow NJ Photographers and I'm sure a few other states have this. No sales tax is required on cameras in NJ if you are using them professionally to manufacture something else.
    Business Purchases
    The purchase, lease, or rental of cameras, lenses, filters, tripods, processing equipment, and lighting
    equipment used by a professional photographer is exempt from New Jersey Sales Tax as equipment
    used directly and primarily in the production of tangible personal property. Under the manufacturing
    exemption, replacement parts with a useful life greater than one year are also entitled to an exemption.
    In addition, chemicals for processing film are exempt from Sales Tax under the catalyst exemption.
    Purchases of qualified equipment and processing chemicals may be made with a completed Exempt
    Use Certificate (Form ST-4) or Streamlined Sales and Use Tax Agreement Certificate of Exemption
    (Form ST-SST). The purchaser must complete all fields on the exemption certificate in order to claim
    the exemption. Purchases of replacement parts with a useful life of one year or less and supplies,
    however, are taxable. See N.J.S.A. 54:32B-8.13(a) and N.J.S.A. 54:32B-8.20.
    Film that, after processing, becomes positive photographs (such as slides, transparencies, and “instant”
    contact prints) that are transferred to the customer and become the property of the customer may be
    purchased without paying Sales Tax. In this case, the film is being purchased for resale and the
    photographer gives the supplier a completed New Jersey Resale Certificate (Form ST-3) or
    Streamlined Sales and Use Tax Agreement Certificate of Exemption (Form ST-SST). Purchases of
    flash bulbs, camera batteries, and like supplies are subject to Sales Tax, including film that produces a
    negative image that must then be developed into a photograph.
    Retail Sales
    Sales of portraits, photographs, motion pictures, slides, frames, photograph albums, picture postcards,
    and brochures are subject to Sales Tax as sales of tangible personal property.
    Newspapers and Periodicals
    Sales of photographs in newspapers, magazines, periodicals, and other publications are taxable.
    However, sales or licenses to use photos as advertising in newspapers or periodicals are specifically
    exempt from Sales Tax. The photographer must get a completed Exempt Use Certificate (Form ST-4)
    or Streamlined Sales and Use Tax Agreement Certificate of Exemption (Form ST-SST) from the
    customer when photos are sold for use in newspaper or magazine advertising.
    Sales for Resale
    When services and photographs are purchased by a customer who intends to resell the photos, the
    photographer is not required to collect Sales Tax as long as the purchaser provides a completed resale
    Publication ANJ–2 About New Jersey Taxes: Professional Photographers
    Rev. 5/17
    When purchasing supplies and equipment specifically as inventory for resale, the photographer may
    give a completed New Jersey Resale Certificate (Form ST-3) or Streamlined Sales and Use Tax
    Agreement Certificate of Exemption (Form ST-SST) to the supplier and not pay Sales Tax. Supplies
    removed from inventory for the photographer’s personal use are subject to Use Tax. Use Tax is
    remitted to the State on the monthly Sales Tax remittance (Form ST-51) or quarterly Sales Tax return
    (Form ST-50). For more information on Use Tax, see publication ANJ-7, Use Tax in New Jersey.
    Electronic Transmission
    If a photograph is either scanned, taken with a digital camera, or computer-generated and then
    transmitted solely by email or other form of electronic transmission, the transaction is treated as the
    sale of intangible property, which is not subject to tax.

  10. SONY FE 12-24MM F2.8 GM - I am considering picking this up - I know the price is high but wondering why it wasn't mentioned in this article?

  11. Jason: The FE 12-24mm F2.8 GM is a great lens, especially if you shoot in lower light conditions where the wider aperture really comes into play! We included the FE 12-24mm F4 G which is the slightly more affordable option (though you do lose out on the F2.8 aperture).

    Having the ability to go to 2.8 is a nice feature and capability to have, though often times, real estate photos are taken in the f/5.6-f/16 range, as well as being taken on a tripod. Because of this, we chose to highlight the FE 12-24mm F4 G instead. 🙂

    We also included the FE 16-35mm F2.8 GM which does have the F2.8 aperture, (though is not quite as wide-angle as the 12-24mm), for photographers interested in having a lens with a wider aperture. All this to say, the FE 12-24mm F2.8 GM is still an excellent lens, and if you also plan to use it for other types of shoots here and there, it can be a great investment!

  12. I am surprised there is no mention of the Sigma 14-24 F2.8 Art Lens... or any Fish Eye options for those shooting 360 panos.

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