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As a photographer, you will want to pair your A7RII with a sturdy prime or zoom lens that matches its performance. The best lens for A7RII should be able to shoot in low-light, have a broad field of view, and zoom where necessary.
The best lens for A7RII depends on your photography goals and the intended shooting conditions. In the review below, we detail the A7RII lenses that excel in varying shooting scenarios.
Here's a quick recap of our top recommended lens for A7RII listed in this article. In this table, we've also included an overview of their top features.
|Product||Focal Length||Aperture||Weight (Pounds)|
|Sony FE GM||85mm||f/1.4||1.81|
|Sony Distagon SEL35F14Z||35mm||f/1.4||1.39|
|Sony Planar SEL50F14Z||50mm||f/1.4||2.41|
|Sony Sonnar FE||55mm||f/1.8||0.62|
|Sony FE SEL70300G||70-300mm||f/4.5-5.6||1.88|
|Sony FE SEL1635GM||16-35mm||f/2.8||1.5|
The Sony FE 16-35mm f/2.8 is a flexible and fast wide-angle zoom that is distinguished by its fast aperture of f/2.8. For one, this bright aperture remains constant over the zoom range, which helps maintain a consistent performance when zooming, making it the overall best on our list.
The optical construction consists of three aspherical elements, two XA elements, and two low dispersion elements that reduce chromatic and spherical aberrations. A Nano coating on these elements helps to get rid of the ghosting and flare, enhancing the color fidelity and image contrast.
Like the Sony FE 85mm f/1.4, the 11-blade aperture diaphragm helps produce a smooth and impressive bokeh quality. The advanced autofocus design consists of two direct-drive motors which ensure quiet, fast, and smooth autofocusing.
The physical construction is weather-sealed, making it convenient for use in dusty places such as capturing desert landscapes or shooting wildlife. Although it's lighter than the Sony FE 85mm f/1.4, the 1.5 pounds weight is not convenient for carrying in a camera bag when traveling.
The Sony FE 85mm f/1.4 is a fast aperture lens with an impressive focal length of 85mm, making it ideal for portraiture. Unlike the Sony FE 70-300mm f/4.5-5.6, the aperture makes this lens perform exceptionally well in poorly lit situations.
The optical construction consists of one aspherical element and three low dispersion elements. This combats the chromatic and spherical distortions and aberrations, enhancing the overall image clarity and sharpness.
The elements come with a Nano AR coating, helping reduce the ghosting, surface reflections, and flare, which helps promote the color fidelity and increase contrast even when shooting in bright lighting.
The aperture diaphragm features 11 blades, which helps it produce a high-quality and smooth bokeh. It comes equipped with a linear Super Sonic motor, which facilitates a quiet, fast, and accurate autofocusing experience.
Typically, it makes it convenient when you need a fast focus in action shooting. Also, the internal focus design ensures the lens's barrel retains its overall length, making it ideal for shooting camera-shy subjects with minimal disturbance.
Although it's lighter than the Sony 50mm f/1.4, the 1.81 pounds weight is not ideal for carrying around.
Although it's the cheapest on our list, the Sony 55mm f/1.8 is a high-quality normal-length prime with an excellent resolution. With a maximum wide aperture of f/1.8, it performs better in low-light than the Sony FE 70-300mm f/4.5-5.6.
With three aspherical elements in its optical design, it significantly suppresses the aspherical and chromatic aberrations to improve the overall image clarity and sharpness. The Zeiss anti-reflective coating helps to minimize the surface reflections and flare for improved color fidelity and contrast, even when shooting in bright light.
With a linear autofocus motor, the focusing experience is fast and responsive, making it convenient for shooting action. With a minimum focus distance of 1.6 inches, Sony 55mm f/1.8 is ideal for shooting closeup and nearby subjects.
Although the nine-blade aperture diaphragm produces a lower bokeh quality than the Sony FE 85mm f/1.4, it's still smooth and impressive. The lens' physical construction is weather-resistant, making it suitable for use in harsh conditions such as dusty desert situations.
The Sony Distagon 35mm f/1.4 comes loaded with advanced technology, making it sharp and fast. It features a wide-angle focal length which contributes to the outstanding optical performance.
Like the Sony FE 85mm f/1.4, the f/1.4 wide aperture makes it perform well even in low-light. Also, this aperture facilitates the application of the shallow depth of field and the use of selective focus techniques.
The construction of Sony Distagon 35mm f/1.4 includes advanced aspherical elements and three standard aspherical elements. These elements help eliminate the optical distortions that are common wide-angle lenses.
Thanks to Zeiss's anti-reflective coating, the surface reflections, ghosting, and flare are significantly reduced even when capturing photos in strong lighting. The utilization of a direct drive supersonic autofocus motor ensures the autofocus is responsive and fast, making it ideal for both stills and videos.
However, the bokeh quality it produces with the nine-blade aperture diaphragm can't match that of the 11 blades in the Sony FE 85mm f/1.4.
The Sony 50mm f/1.4 features a high-end design with a normal perspective and fast aperture of f/1.4, making it ideal for both videographers and photographers. The optical construction comes with one low dispersion element, one aspherical element, and one advanced aspherical element.
The elements significantly suppress the optical distortions to produce an almost distortion-free image. Like the Sony Distagon 35mm f/1.4, the legendary Zeiss anti-reflective coating ensures minimal ghosting and flare, helping to achieve a crisp image.
With a Super Sonic wave Motor, the autofocus performance is smooth, silent, and fast, making Sony 50mm f/1.4 ideal for shooting action or fast-moving subjects. An AF/MF button is used for switching between the autofocus and manual focus, which allows you to swiftly gain manual focusing control.
The eleven-blade aperture diaphragm enhances the production of a smooth and impressive bokeh, similar to that of the Sony FE 85mm f/1.4. To enhance videography, it features a physical aperture ring that you can click or de-click. However, it's the heaviest on our list, limiting its portability.
The Sony 90mm f/2.8-22 is an excellent lens when it comes to macro photography. Unlike the Sony 55mm f/1.8, the life-size magnification of 1:1 makes it a great option for shooting closeups.
Also, being a G series lens, it achieves an appealing balance between bokeh quality and image sharpness, thanks to the wide range of specialized elements used. With minimum optical distortions, the application of the out-of-focus technique is enhanced, helping produce highly detailed photos.
The Nano coating on the elements helps eliminate the ghosting and flare, which improves the color fidelity and contrast. With the use of a speedy direct-drive autofocusing motor, it's possible to achieve the focusing accuracy needed in macro photography.
Unlike the Sony 50mm f/1.4, it's equipped with a focus range limiter which helps to minimize the focus hunting, further enhancing the autofocus performance in a variety of shooting conditions.
However, without zoom capabilities, it's impossible to zoom in and take shots of a distant subject. It weighs 1.33 pounds, which is the second most lightweight on our list and convenient for carrying.
The Sony FE 70-300mm f/4.5-5.6 is a versatile zoom lens that boasts telephoto focal lengths. With two low dispersion elements and four aspherical elements in its optical construction, the spherical and chromatic aberrations are effectively eliminated over the zooming range.
Typically, it helps maintain consistently high image quality and sharpness when zooming. A Nano coating on the lens elements helps to suppress the flares, ghosting, and surface reflections, improving the overall color fidelity and image contrast.
The Sony FE 70-300mm f/4.5-5.6 uses a SteadyShot image stabilization functionality to minimize the camera shake effect when shooting at longer focal lengths or when shooting handheld.
With a weight of 1.88 pounds, it's the second heaviest on our list, which may exhaust you or hurt your wrists if you shoot for an extended period.
The dust and moisture-resistant construction make it ideal for use in virtually all environments such as snow and desert, making it a great walk-around lens. However, the low-light performance is not as impressive as the Sony 50mm f/1.4.
The many options of A7RII lens in the market may be confusing when it comes to identifying one that will suit your shooting condition and style. However, the list above contains lenses that excel in a variety of shooting situations, and any option won't disappoint.