Congratulations to Matt Rosendahl of Northern California who the jury has voted PFRE Photographer of the Month for October. This is Matt's first win!
Here are the entries that the jurors awarded points to this month:
Here is Matt's description of creating his winning photo:
First of all, I'd like to thank Larry for this wonderful resource of information. It wasn't until I stumbled upon this blog and the flickr group that I was really able to take my photography (and business) to a new level. I also want to thank Barry Mackenzie, Tony Roslund, Tony Colangelo, and Brandon Cooper for their fantastic workshops that I attended over the last year. For those wishing to up their game, get hands on training, and network with the best in the business – the workshops they put on are worth every penny!
This monthly contest has been very inspirational to me and the quality of entries has really skyrocketed. I want to give a special thank you to all the jurors who take the time to give critique and provide feedback!
One of my first investments (thanks to this blog!) was a painter pole setup. In my area I have to deal with elevated and steep properties on a regular basis. A painter pole is a fantastic way to provide a unique perspective and capture images that can really set you apart from the competition. However, they can be a bit challenging to use for twilight images. Earlier this year I had a commercial job that required me to shoot over a busy intersection and decided to splurge on an incredible tripod. This setup can get the camera elevated to approximately 15 feet and be rock solid enough for long exposures and composites. This tripod has become an essential part of my kit and gets used regularly for twilights.
Gitzo Systematic Series 5 (GT5563GS)
Gitzo Telescopic Center Column (GS5513XLS)
3 second exposure
Executing the shot:
From the ground I found the general comp I was going for. I then attached my camera and extended the tripod legs all the way. Precariously balancing on the top of my 4 foot ladder I was able to make fine tune adjustments and level the camera. I then telescoped the center column all the way up for an additional 6.5 feet of elevation, for a total of 15 feet. From the ground I used my Camranger to fire off a variety of exposures over a 10 minute period of time.
This was a fairly simple edit here. In lightroom, I picked a single exposure from the bunch. I applied basic edits and set white balance for the face of the house. I then took an adjustment brush (set to “Auto-mask”) and added blue/magenta to the sky. I took this image into Photoshop and made a targeted hue/saturation adjustment to bring down some yellow/orange from the exterior lights. Lastly, I brought this into Color Efex Pro for some finishing touches (Contrast/Vignette).