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PFRE is the original online resource for real estate and interior photographers. Since 2006, it has been a community hub where like-minded professionals from around the world gather to share information with a common goal of improving their work and advancing their business. With thousands of articles, covering hundreds of topics, PFRE offers the most robust collection of educational material in our field. The history of real estate photography has been documented within these pages.
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Image banner for the March 2024 PFRE Photographer of the Month Winner Alex Vincent, with a featured image of his winning photo titled "Kitchen."

Congratulations Alex Vincent, March 2024 PFRE Photographer of the Month! The theme this month was "Kitchen". Alex Vincent - #906 Yvonne Raaijmakers - #909 Peter Wingfield - #902 Here's what Alex has to say: Thank you for the award of Photographer of th ...

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3 comments on “Entry 362”

  1. there’s a lot to like here and i’m sure this was not an easy property to pull together! i do like the angle however not a fan of the furniture arrangement and it’s effect on the flow throughout .. wonder if the near couch could have been pulled closer to reveal a little more of the chair just behind? and the off center coffee table decor is throwing me a bit but i think it’s due to how everything is overlapping in the bottom third ... i n on now it’s not always wide or possible to move furniture on jobs but foe. contest submission i would expect it to be a little more purposeful and worked out... but i like the angle for sure i thin it’s great and a lot to consider when finding a comp with this architecture... overall great work... possibly a little heavy on the contrast and moodiness ... black point seems to fall off the chart in places and also seems a bit over saturated in some of the reds/yellows ... but i do think there’s a good deal that went well here

  2. This is nice. I agree with all of Garett’s points, and with Colin as well. I like the mood here a lot. The deeply-shadowed areas are kind of distracting to me, though…I keep wondering what’s going on in those dark areas. Maybe the darkest shadows could be lifted just enough to reveal a bit of detail, while still preserving the mood? Would also like to see a little more breathing room along the left edge of the frame.

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