PFRE is the original online resource for real estate and interior photographers. Since 2006, it has been a community hub where like-minded professionals from around the world gather to share information with a common goal of improving their work and advancing their business. With thousands of articles, covering hundreds of topics, PFRE offers the most robust collection of educational material in our field. The history of real estate photography has been documented within these pages.
While working with a large number of photos in real estate photography, we often need to give the same editing effects to all of them. Doing so allows us to achieve a homogeneous look to a batch of photos. Let us walk through how to copy edits in Lightroom to process multiple images simultaneously.
For over a decade, photographers from around the world have participated in PFRE’s monthly photography contests, culminating in the year-end crowning of PFRE’s Photographer of the Year. With a new theme each month and commentary offered by some of the finest real estate & interior photographers anywhere, these contests offer a fun, competitive environment with rich learning opportunities.
PFRE prides itself on the depth and breadth of the information and professional development resources it makes available to our community. Our goal is to help real estate and interior photographers be successful while bringing the community together and elevating the industry as a whole.
The colors look really good. I’d like to see quite a bit more ambient in the lighting mix, though, and less flash, for a more natural look/feel to the light. And by dragging the shutter a bit more, the house out the window will start to recede into the background. I’d also be tempted to try shooting this with the light fixture turned off. And I wonder about composing with the camera placed a step to the right and panned to the left? Staging thing: Was there any way to pull the speaker(?) to the left and hide it behind the table?
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The colors look really good. I’d like to see quite a bit more ambient in the lighting mix, though, and less flash, for a more natural look/feel to the light. And by dragging the shutter a bit more, the house out the window will start to recede into the background. I’d also be tempted to try shooting this with the light fixture turned off. And I wonder about composing with the camera placed a step to the right and panned to the left? Staging thing: Was there any way to pull the speaker(?) to the left and hide it behind the table?