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On top of its weather-resistant body, the Canon 80D has an accurate and fast 45-point cross-type autofocus that allows it to produce amazing videos. Regardless of the shooting circumstances, equipping it with the best video lens for Canon 80D will significantly improve your video shooting.
When it comes to video shooting, you want to equip yourself with a high-quality camera with wide-angle zoom lenses. While there are also the best lenses specifically for Canon 80D Photography, below is a list of our top pick video lenses for Canon 80D to enhance its performance.
The Sigma 35mm f/1.4 comes with a Hyper Sonic Auto-focusing motor, which is quiet and works well without scaring the camera-conscious subjects. It features internal floating elements for focusing, ensuring the barrel length does not change.
It also comes with a full-time manual focusing override even during auto-focusing mode, giving you a complete focusing control. The lens build quality includes Thermally Stable Composite materials to reduce the effects even during extreme temperature use.
On top, it features the F Low dispersion elements and LD glass elements to enhance the optical quality for better video shooting performance with the Canon 80D.
It has the best aperture in our list, with a maximum wide aperture of f1.4. This aperture can handle low-light and chromatic aberrations well, making it a fantastic walk-around lens with excellent focal length coverage.
Although it's heavier than Canon EF-S 24mm by around 1.2 pounds, it weighs 1.47 pounds only, it is light enough to allow you to move around and shoot videos for an extended period without exhausting or hurting your wrists.
Although it is smaller than the Sigma 18-35mm, it comes with dimensions of 3.7 x 3.03 x 3.03 inches, which is not ideal for moving around with it while shooting your videos comfortably.
The Sigma 35mm f1.4 lens is also not zoomable, which is one of its downsides. It is compatible with a full-frame, which allows it to have a moderate wide-angle and less noticeable vignetting.
The Sigma 18-35mm f/1.8 accumulates 28 points on the DxOMark rates with an adequate sharpness of approximately 16 megapixels. The standard zoom makes it excellent in everyday video shooting on low light, urban landscape, street, and architecture.
Although the Sigma 18-35mm f/1.8 is compatible with the Canon 80D, being an APS-C camera, the lens is affected by the 1.6x crop factor. Typically, the 1.6x crop factor makes the focal length to be the equivalent of 28.8mm-56mm.
Furthermore, you can achieve highly sharp images even when shooting wide open at f/1.8, with no chromatic aberrations. When shooting wide open, stopping down the lens eliminates the vignetting.
Unlike the Sigma 35mm f1.4 with a generally quiet auto-focusing function, the Hyper Sonic AF motor in Sigma 18-35mm f1.8 produces some noise when auto-focusing, and therefore not the best for shooting camera conscious subjects. However, its auto-focusing feature has better video shooting results.
One of the most significant downsides of Sigma 18-35mm f/1.8 is lens diffraction, which sets in immediately when you stop down the lens, affecting image sharpness. However, this diffraction isn't noticeable on smaller apertures and is therefore fantastic to shoot landscapes at 28.8mm.
The Sigma 18-35mm f/1.8 is typically the heaviest and largest video lenses for Canon 80D in our list. It comes with dimensions of 4.76 x 3.07 x 3.07 inches, weighing 1.79 pounds. This weight can hurt your wrists if you use it for extended periods.
The Canon EF-S 24mm f/2.8 comes under the category of pancake lens due to its small thickness. Although it's cheap, it's impressive with a maximum aperture of f/2.8. This aperture is excellent for low light shooting and particularly necessary when trying a shallow depth field.
It allows you to use a faster shutter speed, preventing image blur. Also, the wide aperture eliminates the need to use high ISO, which, in turn, reduces the image noise.
Unlike the complication in Sigma 35mm with 13 internal elements, the Canon EF-S 24mm f/2.8 is uncomplicated with only six interior parts, including a spherical element arrangement in 5 groups.
The lens comes with an STM-powered auto-focusing function. Like the Sigma 35mm f/1.4 DG, the Canon EF-S 24mm f/2.8 comes with a manual focusing override to offer you complete control of the focusing experience.
The technology is compatible with the movie-servo mechanism of the Canon 80D, resulting in smooth auto-focusing, while the manual override works on One-Shot AF mode.
The Canon EF-S 24mm f/2.8 is the most compact and lightweight lens on our list, with dimensions of 0.91 x 2.68 x 2.68 inches and weighing 0.28 pounds, making it the most appropriate for moving around with and video shooting for extended periods without exhausting you.
The downside is that it lacks image stabilization. Although the focal length is perfect and the angle of view excellent for most everyday photography pursuits, the lens is affected by the 1.6x crop factor when using it with a Canon 80D camera. It would not be as effective for real estate photography.
Although the Canon 80D is an excellent camera for shooting videos, the different lenses will lead to varying shooting performances and results. Apart from brands, all lenses compatible with Canon 80D have variable attributes that affect the images depending on the shooting circumstances.
|Product||Aperture||Maximum Focal Length||Photo Filter Thread Size|
|Sigma 35mm f/1.4||f/1.4||35mm||67 mm|
|Sigma 18-35mm f/1.8||f/1.8||18-35mm||72 mm|
|Canon EF-S 24mm f/2.8||f/2.8||24mm||52 mm|
Below are some attributes that will help you make an informed decision on the best video lens for Canon 80D.
A larger aperture allows more light to enter the lens. If you want to shoot videos in low-light, consider using a lens with a large aperture such as the Sigma 18-35mm, which has an aperture of f1.8. With such a lens, you don't have to increase the ISO to produce sharp images.
Besides, the aperture helps create a shallower depth field that allows you to differentiate the subject from the background. For instance, the aperture of the Canon EF 24mm f/2.8 emphasizes the essential details of your subject by focusing on it.
The focal length determines the lens's versatility and its ability to shoot interior and outdoor videos without distortions. If you don’t want to distort your subject's features or make them appear abnormal, consider using a lens with a considerable focal length such as Sigma 35mm f/1.4.
It is vital to have an auto-focus function on your lens when shooting videos of subjects that constantly adjust positions. For a better focusing experience, consider a lens that offers smooth auto-focus options with manual override such as the Sigma 18-35mm f/1.8.
Also, some lenses produce some noise when using the auto-focus option. If you are shooting videos of camera-conscious subjects, consider a lens with a quiet auto-focus function such as Sigma 35mm f/1.4.
The Canon 80D is an all-around excellent camera suitable for video and with a good combination of advanced features, image quality, and build quality. It uses the Canon's Dual-Pixel autofocus in video shooting, making it unbeatable.
Regardless of the shooting circumstances, any of the lenses above should serve you well. However, you can narrow it down to a specific lens using the above attributes.
In conclusion, equipping your Canon 80D with the right video shooting lenses will make all the difference in your video shooting experience. Aside from learning what lens to use for real estate photography for exterior shots, hopefully, these reviews will help you make informed decisions on the best video lens for your Canon 80D.