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Any videographer out there is always looking out for a good lens to guarantee a high-quality video. Depending on your shooting and budget plan, it can be difficult to choose the right lens among so many available options. This article will look at the best Nikon lens for video to improve your videography skills.
One of the most appealing aspects of shooting video with a Nikon DSLR camera is the wide range of lenses. Each lens has its own set of attributes and traits that make it ideal for a particular scenario, making it difficult to choose the right one.
Here's a quick recap of our top recommended video lens for a Nikon DSLR camera listed in this article. In this table, we've also included an overview of their top features.
|Product||Focal Length||Aperture||Filter Size|
|Nikkor 50mm f/1.8||50mm||f/1.8||58mm|
|Nikkor 24-70mm f/2.8G||24-700mm||f/2.8||77mm|
|Nikkor 70-200mm f/2.8 lens||70-200mm||f/2.8||77mm|
|Nikkor 105mm f/2.8G||105mm||f/2.8||62mm|
|Nikkor 35mm f/1.8||35mm||f/1.8||58mm|
|Nikkor 85mm f/1.4G||85mm||f/1.4||77mm|
The Nikkor 70-200mm f/2.8 lens is a must-have for zooming purposes thanks to its variations in the optical formula compatible with seven camera manufacturers. Working well with all FX-compatible Nikon cameras, this new lens is equally useful as the Nikkor 24-70mm equivalent zoom on DX-format Nikon cameras.
Its new electromagnetic aperture mechanism is compatible with the existing and selected earlier-generation Nikon camera that maintains great exposure and captures longer bursts of fast-speed successive burst rates. However, at 3.15 pounds, this lens is heavier than the Nikkor 24-70mm lens, making it harder to carry it around.
Its 9-bladed aperture and 77mm filter size remain unmodified except for the new diaphragm electronic control. Compared to its predecessor, the latest Nikkor 70-200mm uses the forward ring for zooming and the AFT ring for manually focusing the ring.
The butterfly cuts on the new Nikkor 70-200mm are shallower, making it more effective to prevent flare. In addition, the four focus lock buttons located at their circumference allow you to focus on high-speed moving objects intuitively by pressing the barrel button on the camera's back.
This attribute makes it one of the best options for capturing detail in videography. In addition, this lens focuses down to 3.61', a rare high-quality feature for close-up videography, along with the Vibration Reduction system maintaining its stability while shooting.
The lens has a focusing mode that allows you to quickly convert from automatic to manual focusing by simply rotating the focusing ring on the lens. This allows for a smooth transition to fine manual focusing.
The Nikkor 24-70mm f/2.8G provides its users a good zoom quality and sophisticated optical design. The f/2.8 aperture affords excellent illumination across a wide zoom range.
It is suitable for working under low light as it emulates high selective focus techniques. Moreover, the three aspherical glass elements and three extra-low dispersion elements cut down on chromatic and spherical aberrations resulting in sharper videos with high clarity.
In addition to its ability to create high-quality videos, it has Super Integrated Coating and Nano Crystal Coat control flare and ghosting. Furthermore, the Silent Wave Motor affords a silent autofocus operation and a manual focus override for improved color accuracy and visual contrasts.
The lens is compatible with FX and DX formats; however, it provides a standard zoom equivalence to 105mm focal length in DX formats. In addition, the 9-blade diaphragm works in favor of cameras with a shallow depth field to provide pleasing out-of-focus quality images.
It is highly versatile, and its videography and panorama abilities are highly contested. The constant wide aperture that does not move while shooting makes it possible to have such keen images represented on its canvas.
This lens shows some instances of vignetting when used with full-frames at wide apertures, a challenge that is not present when using the Nikkor 50mm. In addition, the petal-style lens shade effectively prevents flares from a strong light source or the sun or, a multi-rayed pattern appears to notify the user.
The Nikkor 50mm f/1.8 G is more suitable than the Nikkor 24-70mm for enthusiasts who need quality optics and videography abilities on a budget. Its shallow field depth isolates subjects from the background achieving a high-quality bokeh.
This lens is an upgrade from Nikon 50mm f/1.8D, having updated features like the seven optical elements in 6 groups, which reduce chromatic aberrations. One of these elements is made of an aspherical element that corrects distortion and minimizes coma by modifying the refractive index successively from the center of the lens.
Its upgraded optical design and larger barrel inhibit the front lens from extending extensively during autofocus operations. The lens integrates the Silent Wave Motor feature perfectly that provides silent autofocusing and is a high contender for use with entry-level DSLRs.
This motor allows the user to autofocus with a manual focus override which is not plausible with the AF-D prime lenses. Its Super Integrated Coating cuts down on flare and ghosting.
This lens is designed to work with DX and FX formats, although it is best suited for FX sensors. The lens has a 7-blade diaphragm that creates heptagon-shaped bokeh when used in large apertures. Unlike the 24-70mm, its apertures are wider and better for all light situations. However, this lens is bulkier than older models, hence difficult to carry it around
from one place to another.
The AF-S Nikkor 50mm f/1.8G is an excellent lens for capturing a wide range of outdoor subjects. You may capture a scene as you see it with the naked eye using the 50mm f/1.8 lens.
The Nikkor 105mmf/2.8 lens delivers an exceptional video quality at 105mm reach. Featuring advanced Nikon lens technologies like the Vibration Reduction function to maintain the lens stability and the Silent Wave Motor feature for fast and quiet autofocus operations, its versatility sets it up for the best option in videography.
Videographers looking out to do micro work may not get the best option while working with this lens’ autofocusing. Rather the focus needs to be shifted towards maximizing the easy manual focus and the manual override for clarity in focus which is vital for shooting videos under a shallow depth of field operations.
Its optical design has been upgraded with extra-low dispersion glass elements that reduce aberration. At the same time, the Nano Crystal Coat cuts down on internal reflections across a broad range of wavelengths.
The focus ring allows automatic switching from automatic to manual focusing eliminating potential lag time. The left side has three switches the M/A, the VR on, and the Full switch effective for telephoto operations.
This lens offers effective aperture changes. At its maximum, the aperture is at f/2.8, which is a little narrower than that of Nikkor 85mm when focusing. It offers f/3.5 when focusing higher at the closest distance. The lens has a shallow field of depth that limits the quality of videography; in this case, stopping down the aperture is highly recommended.
It is rather bulkier than the Nikorr 50mm for its short length but not in a way that becomes a limitation. The barrel shoots out quickly to a wider size that stays unchanged for the rest of its length.
The Nikkor 35mm is proving to be a great everyday companion offering all-around capabilities. With a 35mm focal length, the lens provides the idealistic 'natural angle' of view exposures, and its lightweight construction will help you get the best videos at any skill level.
Its fast f/1.8 aperture creates a sharper subject focus in dim light conditions and results in a desirable bokeh quality. In addition, the wide aperture gives you more control of the depth of field. This works to your advantage as it enables you to isolate your subject and create stunning outcomes perfectly.
The 35mm users consider it the best general-purpose focal length lens for it is not too wide, nor is it too long, making it best suited for videography. And while every videographer will look for such a choice, having a large and bulky lens is impractical. The 35mm closes this gap by offering convenient portable functions.
The lens is advanced for a budget lens. It contains a single Extra-low dispersion element typical of high-end Nikkor lenses that is a little inferior to Nikkor 70-200mm but still works perfectly to increase color contrast and sharpness along with an aspherical lens element for correcting the aberration issues. However, this lens lacks optical stabilization that helps reduce blurring.
This lens autofocus operation is impressively faster than its predecessors. It takes fewer turns to move an f/1.8 lens making it easier to go from close focus to long-distance noticeably faster. This covers the otherwise slow motor. In addition to that, the Silent Wave Motor makes the autofocus operations quieter and faster.
The Nikon 85mm f/1.4G lens is a 1.3-pound lens supporting a 77mm front filter and offers up to 3 feet of videography. Unlike the Nikkor 24-70mm, this lens is not optically optimized, but this is a non-issue for videography.
Its wide aperture produces off-camera lighting to come up with great videos. However, this is not an entirely good thing for handheld shooting.
There are no visible distortions, neither does it cast dark shadows around the subjects while shooting. It is lighter than the Nikon 105mm, but a little pricier as some will value saving money while others will cut on the inconvenience of a bulky lens.
The autofocus operation is commendable, having the Silent Wave Motor that cuts down on the slow pace and noise. However, its large aperture produces challenges as shooting at maximum apertures makes it difficult to focus.4.
Its shallow depth of field will distort the resultant videos’ quality even when there is a slight movement around the subject or if it affects the camera. The lens has a focusing mode that allows you to quickly convert from automatic to manual focusing by simply rotating the focusing ring on the lens.
Finally, having the correct video shooting lenses on your Nikon camera will make all the difference in your video shooting experience. Aside from knowing what lens to use for outdoor shots in real estate photography, these evaluations should assist you in making an informed selection of the best video lens for your Nikon camera.