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The Nikon D7200 is a high-performance camera that is popular among both amateur and professional real estate photographers. This is a DSLR with outstanding performance and capability on its own. However, if you want to take your camera's capabilities to the next level, you'll need to buy another lens apart from the kit lens.
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my choices for the best lens for Nikon D7200 are detailed here, including portrait and prime lens options ranging from telephoto and wide-angle. Given the camera's quality, you don't need to break the bank buying any of these lenses, yet I've included several moderately-priced alternatives among the big hitters.
Here's a quick recap of my top recommended Nikon D7200 lens listed in this article. In this table, I've also included an overview of their top features.
| Product | Focal Length | Aperture | Weight (Pounds) |
|---|---|---|---|
| NIKKOR 18-140mm f/3.5-5.6 | 18-140mm | f/3-5.6 | 1.08 |
| NIKKOR 17-55mm f/2.8 | 17-55mm | f/2.8 | 1.66 |
| NIKKOR 24-70mm f/2.8 | 24-70mm | f/2.8 | 1.8 |
| NIKKOR 35mm f/1.8 | 35mm | f/1.8 | 0.44 |
| NIKKOR 18-300mm f/3.5-6.3 | 18-300mm | f/3.5-6.3 | 2 |
| Tamron SP 70-200mm f/2.8 | 70-200mm | f/2.8 | 6.74 |
| NIKKOR 10-24mm f/3.5-4.5 | 10-24mm | f/3.5-4.5 | 1.01 |
| YONGNUO YN35mm f/2.0 | 35mm | f/2.0 | 0.39 |
| Micro NIKKOR 85mm f/3.5 | 85mm | f/3.5 | 0.78 |
| Sigma 17-50mm f/2.8 | 17-50mm | f/2.8 | 1.25 |
The NIKKOR 18-140mm f/3.5-5.6 ED is a complex all-in-one lens that encloses a zoom category beginning with wide-angle to mid-telephoto. By reducing spherical and chromatic aberrations and achieving color accuracy and high sharpness, the lens uses one extra-low dispersion and aspherical components to help achieve great picture quality.
The lens is equipped with a Super Integrated Coating, which eliminates flare and ghosting while operating in low-light conditions while boosting contrast. In addition, vibration Reduction decreases motion blur by four stops, resulting in sharper photos while shooting handheld.
A Silent Wave Motor also enables a manual focus override and fast, near-silent autofocus. Furthermore, not only the interior lens elements are changed while focusing, but they’re also used to generate quicker focusing speeds. The rounded curve of the seven-blade diaphragm creates a charming out of focus effect.
Although the Nikkor 18-140mm f/3.5-5.6 lens has significant distortion, I recommend using Auto Distortion Correction in the settings to compensate for this flaw.
The Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G zoom ranges from wide-angle to super-telephoto, allowing you to get incredible high-resolution real estate shots. In addition, the lens's fast, silent focusing mechanism prevents any camera noise while shooting.
The Vibration Reduction feature in the lens allows for blur-free handheld shooting by 4.0 stops. As a result, you can capture precise, crisp images and stable videos despite your hands being shaky.
In addition, it features three aspherical and glass with very low dispersion elements for maximum brightness and a lens ghosting for pleasing, simple setting blur, and Internal Focusing for a more compact image.
Chromatic aberrations are a problem with this lens at the corners of the frame throughout the zoom range. Fringing is most evident at 300mm when it exceeds two-pixel widths at the frame's edges.
Because it’s affordable, sharp, and tiny, this NIKKOR 35mm f/1.8 prime lens is great for real estate
In the optical design, one aspherical component is employed to aid control distortion and spherical aberrations, resulting in notable brightness and accuracy. Individual elements have also been coated with a Super Integrated Coating, which diminishes lens flare and ghosting for better brightness and color accuracy in bright or backlit circumstances.
A Silent Wave Motor complements the optics, allowing for fast, manual mode focusing control and proximity focusing for both stills and video recording. The rounded curve of the seven-blade diaphragm creates a charming out-of-focus look, perfect for shallow depth of field and selective focus methods.
There is chromatic aberration visible, and the light falloff is well regulated. The barrel is a little distorted, but this may easily be fixed with some editing.
The Tamron SP 70-200mm f/2.8 lens is a popular telephoto zoom for a variety of shooting situations, thanks to its exceptional optical performance and a brilliant f/2.8 nearly constant field of view.
In terms of optics, five low dispersion design features and one extra-low dispersion feature have been added to the layout to minimize chromatic aberrations and color fringing for enriched color accuracy and clarity. At the same time, BBAR and also eBAND coatings are being used to reduce ghosting and flare, in contrast to the flaring issues with the NIKKOR 18-140mm f/3.5-5.6.
This lens also has innovative Vibration Compensation technology, which regulates up to five limits of motion blur for clearer handheld images. Also, there is a manual mode focus control with a band Ultrasonic Silent Drive autofocus mechanism for rapid and robust performance.
The lens is also dust and moisture-resistant for working in challenging environments. The rounded nine-blade diaphragm aids a nice bokeh quality. In addition, an electromagnetic diaphragm is employed for more accurate and consistent exposure control.
The only drawback with this lens is that when panning, the single-mode optical stabilization technology isn't very effective, and the lens isn't compatible with teleconverters.
The NIKKOR 10-24mm f/3.5-4.5 is a DX-format lens with ultra-wide to wide-angle coverage, making it ideal for excellent real estate
While working in gloomy or bright lighting circumstances, a Super Integrated Coating reduces flare and ghosting, improving overall contrast and color reproduction. In addition, the Silent Wave Motor, compared to the NIKKOR 35mm f/1.8, enables fast, silent, and precise image stabilization and manual mode focusing override.
The rounded curve of the seven-blade diaphragm creates a charming out-of-focus look, perfect for shutter speed and selective focusing methods. This lens provides an ultra-wide field of view; however, you'll need to adjust the aperture to increase edge sharpness due to the lens's poor edge performance.
The YONGNUO YN35mm f/2 lens is a prime wide-angle lens for Nikon F-mount SLR cameras. The lens combines a common 35mm focal length with a fine f/2 maximum aperture, making it great in various scenarios. Glass elements with multi-layer coatings lessen the effects of lens flare and ghosting in greater contrast and color fidelity.
The lens has an AF / MF switch that allows you to switch between focusing methods swiftly. For capturing close-up subjects, the lens has a minimum focus distance of 25 cm. The lens is both small and light, unlike the NIKKOR 24-70mm f/2.8, which is larger and heavier hence easily portable. A metal bayonet lens mount provides a strong, long-lasting connection between the camera and the lens.
All exposure features can be used with the gold-plated contacts, and lens information is sent to the EXIF data. A tried-and-true lens construction combined with design modifications ensures a superior grip and makes it the ideal lens for everyday use.
The lens has no internal focus, and when focusing, the body frame slides forward roughly half a centimeter while the front lens does not revolve.
The NIKKOR 17-55mm f/2.8G is a 25.5-82.5mm-equivalent zoom lens designed as a DX workhorse, with a brilliant maximum aperture and advanced optical architecture. Working in adverse lighting circumstances benefits from the fast f/2.8 constant maximum aperture, as does having more control over depth of field when using selective focus techniques.
The three Extra-low Dispersion glass components regulate chromatic aberration in the lens's optical design. In addition, the Super Integrated Lens Coating from Nikon enhances image quality while reducing ghosting and flare.
Natural-looking out-of-focus highlights are created using a diaphragm with nine blades. In addition, a Silent Wave Motor permits accurate manual control even while the camera is in autofocus mode, and manual focus override allows for quick, near-silent autofocus.
The drawback is that the lens is so heavy, but that is what it takes to build a high-quality, long-lasting lens. Although chromatic aberration, vignetting, and distortion are all a little high at 17mm, this is a very sharp lens with excellent features.
The NIKKOR 24-70mm f/2.8 is considered by real estate photographers to be the sweet spot of the zoom range, suited for taking quality images. Higher shutter speeds to freeze fast action, gorgeous bokeh blur, and outstanding low-light performance are all possible because of the fixed aperture of f/2.8.
In contrast, fluorine coatings on the front and rear components keep dust, moisture, and smearing at bay. It's also weatherproof, with a rubber gasket on the rear and fluorine coatings on the inside, so you can work in comfort even when it's raining.
Nano Crystal and Super Integrated Coatings on the front and back components reduce lens flare for enhanced contrast and color accuracy. Downsides include the fact that this new lens is larger and heavier and the fact that it is much more plastic on the outside than earlier pro lenses that have a lot of metal.
The Micro NIKKOR 85mm f/3.5 is a close-up-optimized 127.5mm-equivalent prime lens. This lens excels at dealing with neighboring subjects, with an existence 1:1 analytical focus and an 11.3 inches lowest possible focal length. In addition, one extra-low dispersion feature is used in the optical design, which reduces chromatic aberrations for better-quality color precision.
When operating under bright or backlit conditions, a Super Integrated Coating is frequently employed to prevent ghosting and flare for improved brightness. In addition, Silent Wave Motor AF technology delivers fast, near-silent focusing for stills and movie recording, and it may be overridden manually at any moment by rotating the manual focus ring.
The Micro-Nikkor 85mm f/3.5 is an exceptional portrait lens, but it has limited brightness when used wide open at normal working distances. Thus it's best used at f/5.6. Although the autofocus is a little slow, the manual focus is simple and quick.
The Sigma 17-50mm f/2.8 EX lens provides a decent focus for users with a width of 17mm. It maintains its f/2.8 opening throughout its zoom range. It's a good alternative for
The optical design contains a pair of low-dispersion elements and a triple of aspherical elements to reduce various aberrations and increase clarity and sharpness.
A multifaceted Super Coating is also used to remove flares and spectrums for better color accuracy and contrast. It has a considerable weight, but it is not the lightest option on the market.
Using the optics, the Hyper Sonic Motor provides fast and silent autofocus power, while an optical stabilizer decreases the camera shake's look for crisper handheld shootings. The lens is also characterized by its sleek profile, making it an excellent lens for strolling and photographing trips.
Consistent f/2.8 Maximum aperture can be used for working in poor ambient circumstances. The short depth of field methods also allows more control over the focusing point. In addition, the round seven-blade diaphragm provides a pleasant quality of background blur.
Buying the best accessories for your Nikon D7200 camera, such as lenses and the best flashes might greatly enhance your photographic possibilities. All of the options you'll find here will enable you to make use of the camera's already remarkable capabilities. The focal length, aperture settings, and sharpness are the most important factors to consider when choosing the best lens for your Nikon D7200.
