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The Nikon D500 offers high-resolution tilt, versatility, and durability, making it a great camera for your real estate shots. However, this camera needs an equally high-quality lens. In this article, we are going to give you our choices for the best lens for Nikon D500 and how they perform compared against each other.
From kit and wide-angle to telephoto, we've broken down the best zoom and prime lenses for the D500. As a result, these lenses are among the best in their category.
Here's a quick recap of our top recommended lenses for Nikon D500 listed in this article. In this table, we've also included an overview of their top features.
|Product||Focal Length||Aperture||Item Weight (Pounds)|
|Nikkor 50mm f/1.8G||50mm||f/1.8||0.31|
|Yongnuo YN35mm f/2.0||35mm||f/2.0||0.39|
|Sigma 35mm f/1.4||35mm||f/1.4||1.47|
|Sigma 150-600mm f/5-6.3||150-600mm||f/5-6.3||6.31|
|Sigma 20mm f/1.4||20mm||f/1.4||1.7|
|Nikkor 50mm f/1.4G||50mm||f/1.4||0.64|
|Nikkor 28-300mm f/3.5-5.6G||28-300mm||f/3.5-5.6||1.76|
The Nikon 70-300mm f/4.5-5.6G is a lens that’s easy to handle and offers excellent telephoto zooming ability to produce high-quality photos. Granted, the Yongnuo YN35mm lens beats this lens when shooting in low light, but this lens’s 70-300mm focal length is the best option for daylight photos. It has a built-in focusing motor that breathes life into images, enhancing the details.
The AF Zoom-Nikkor 70-300mm design provides clear metering information to Nikon cameras fully compatible with the D-type design. Cameras that do not have this feature may miss out on some autofocus and metering functions.
Handheld shooting is incomparable given its lightweight and solid build, making it a go-to lens for any photographer. Its built-in Vibration Reduction feature enhances its stability resulting in sharper images with single takes.
The Nikkor 50mm f/1.8G is the most popular lens for Nikon d500. It is a real estate photographer's must-have for everyday use as it has a fast aperture that allows you to shoot high-quality images with a shallow depth of field. This creates a natural background blur (bokeh) unlike the Yongnuo YN35mm lens that produces circular contrasts, making it perfect at creating natural perspectives in images.
The Nikon's Silent Wave Motor feature improves optical focus by converting 'moving waves' into rotational energy. This supports high-energy auto-focusing that is fast, accurate, and extremely quiet. The fact that the 50mm f/1.8D lens is not compatible with all Nikon cameras is maybe its worst flaw.
The YONGNUO YN35mm f/2 lens is an excellent prime choice with a 35mm focal length and an aperture of f/2.0. Its focal length is highly magnifying, making it the best affordable choice for real estate photography. Its large max aperture makes it the best performing in lower-light situations than a standard kit lens which mostly has a max at f/4.0 or f/5.6.
It features multi-coated glass elements for minimal flaring or ghosting in very bright settings and proper color renditions. It works suitably with full-frame camera bodies where it provides an equivalent of 65mm focal length.
The gold-plated contacts on the mount look good aesthetically and offer reliable functionality with the camera you are using. Its price is a third that of Nikkor 70-200mm but provides similar high-quality image results.
The Sigma 35 mm f/1.4 lens’s high performance is accredited to its solidity, fast and quiet autofocus, and affordability. Although the Sigma 35mm is smaller than the existing Sigma 20mm f/1.4, it is heavier, giving it more stability when shooting.
It renders sharp images, seamless and pleasant bokeh images with high control of optical aberrations. Central to its design is a sophisticated optical system that integrates 15 elements in 11 groups, an 'F' Low Dispersion element, Extraordinary Low elements, and Special Low Dispersion elements that minimize all types of aberrations.
The aperture ring is positioned ergonomically and controlled by the photographer. It can be de-clicked to adjust exposures allowing smooth shooting transitions.
The Sigma 150-600mm f/5-6.3 boasts 2 FLD glass elements producing distinct photos covering wide zoom angles. The optical stabilizer (OS) has an accelerometer that improves vertical and horizontal photography, making it one of the best choices for real estate photography.
Unlike the Tamron lens, the 150-600mm is heavy at nds hence its difficult for the user to carry it from one place to another. Its front element does not accept filters but instead has a protective casing over it that slips over to protect against dust.
Designed for the most demanding types of photography, this lens has chromatic aberration control at the end of its focal length. The zoom lock switch can be locked at no specific length and operated in autofocus mode using the focus ring.
The Sigma 20mm f/1.4 offers excellent edge to edge performance. It is best suited for real estate photography and in low-light conditions. This is possible due to the fast f/1.4 supreme aperture specially designed for dull conditions.
Its optical design has 13 elements and 11 group construction, massively made from Super-Low-Dispersion glass, two aspheric elements, and Fluorite-like Low Dispersion glass. This structure minimizes the extent of aberrations.
The lens has the Hypersonic Motor working manually for quiet and fast autofocus and drives an inner system that maintains high image quality. The aperture has nine blades for good color renditions of background blur, enhancing selective focus. However, unlike the Sigma 150-600mm, it lacks an optical stabilizer, but its weight covers this disadvantage.
The Nikkor 50 mm f/1.4G is a versatile well-suited lens when shooting a field view with higher brightness. Characterized by the fast f/1.4G aperture, this lens excels at shooting conditions with lower lighting and isolating subjects to achieve selective photography.
Its super integrated coating enhances color renditions and contrasts by cutting on the flare. The nine-bladed aperture produces a seamless bokeh image quality, and its Silent Wave Motor offers accurate autofocus, fast and quiet performance with full-time manual focus.
It does not support manual modes like the Tamron f/2.8 Di VC USD G2 but provides an average length for FX-format Nikon cameras and a 75mm focal length for the DX model.
The Nikkor 28-300mm lens is the only all-in-one lens with a Vibration Reduction II IS and ED Glass that offers a wide focal length perfect for real estate images. However, it has sharpness issues beyond 105mm, but even so, it’s a good lens.
The Vibration Reduction feature provides image stabilization at 3.5 stops that are not blurred, eliminating shadows resulting in well-focused photos. It produces a slow whining sound during autofocusing, unlike the Nikon AF-S Nikkor 50 mm f/1.4G that has a Silent Wave Motor which removes the noise.
The versatility of Nikkor 28-300mm f/3.5-5.6G ED VR is evident in its wide focal length that offers optimized high-level sharpness for both formats, FX and DX. It boasts many of Nikon's advanced technologies offering unrivaled performance in videography.
The Tamron f/2.8 lens is a wide-angle macro lens with a broad zoom range. It has two refractive elements, three molded glass elements, three low-dispersion elements, and one hybrid aspherical element that help eliminate the possibility of distortion and suppress aberrations.
This lens lacks the Super-Multi-Layer Coating, which minimizes ghosting on Sigma 20mm f/1.4 DG HSM; still, it controls flare and shadowing, using BBAR and eBand coatings that improve image color fidelity and contrast. The USM autofocus motor helps in balancing its optical characters that deliver quick and precise autofocus performance. This is the best-recommended micro-lens for videography.
For efficient handheld shooting in dim-light conditions, the Tamron SP 24-70mm f/2.8 Di VC USD G2 utilizes the Vibration Compensation feature to shoot sharper images. The lens has a fluorine coating on the front element that protects against moisture and other environmental conditions.
The focal length, aperture settings, and sharpness are the most important factors to consider when choosing the ideal lens for your Nikon D500. Other factors like stability, build quality, and portability are also crucial. We feel you are ready to choose an alternative after reading our extensive guide that walks you through the comparisons of these items.