PFRE is the original online resource for real estate and interior photographers. Since 2006, it has been a community hub where like-minded professionals from around the world gather to share information with a common goal of improving their work and advancing their business. With thousands of articles, covering hundreds of topics, PFRE offers the most robust collection of educational material in our field. The history of real estate photography has been documented within these pages.
Congratulations Dave Koch, April 2025 PFRE Photographer of the Month! The theme this month was "Primary Bedroom".Dave Koch - Entry 1056 Peter Wingfield - Entry 1051 Paul-Dan Dragoman - Entry 1053Here's what Dave has to say:Thank you so much — this real ...
For over a decade, photographers from around the world have participated in PFRE’s monthly photography contests, culminating in the year-end crowning of PFRE’s Photographer of the Year. With a new theme each month and commentary offered by some of the finest real estate & interior photographers anywhere, these contests offer a fun, competitive environment with rich learning opportunities.
PFRE prides itself on the depth and breadth of the information and professional development resources it makes available to our community. Our goal is to help real estate and interior photographers be successful while bringing the community together and elevating the industry as a whole.
I really like this composition. And the light from the window/door is gorgeous. I’m in complete agreement with Jenn about the sconces, though. I’m kind of dying to see how this scene might look/feel if the sconces and ceiling lights were turned off. Then, if necessary, a lighter frame could be blended in to bring out some detail in the ceiling. Or maybe even a bit of flash could be used to lift the shadows up there just a touch.
Would have loved to see this with the lights out. Nice comp, and directional lighting, but the bright sconces are killing me.
I really like this composition. And the light from the window/door is gorgeous. I’m in complete agreement with Jenn about the sconces, though. I’m kind of dying to see how this scene might look/feel if the sconces and ceiling lights were turned off. Then, if necessary, a lighter frame could be blended in to bring out some detail in the ceiling. Or maybe even a bit of flash could be used to lift the shadows up there just a touch.