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	<title>Comments on: Using Stitched Images in Real Estate Photography</title>
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	<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/</link>
	<description>Helping Real Estate Photographers Be Successful</description>
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		<title>By: larry</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-22220</link>
		<dc:creator>larry</dc:creator>
		<pubDate>Wed, 11 Nov 2009 05:35:16 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-22220</guid>
		<description>Len,
They look good... best limited vertical field of view panoramas I&#039;ve seen. What do you use to stitch?</description>
		<content:encoded><![CDATA[<p>Len,<br />
They look good&#8230; best limited vertical field of view panoramas I&#8217;ve seen. What do you use to stitch?</p>
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	<item>
		<title>By: Len</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-22211</link>
		<dc:creator>Len</dc:creator>
		<pubDate>Wed, 11 Nov 2009 03:06:32 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-22211</guid>
		<description>Check out our 360 Virtual Tours, and you will not see any rounded wall etc.
http://www.customvirtualtours.ca/Tour-Gallery.html

Let me know what you think.
Len</description>
		<content:encoded><![CDATA[<p>Check out our 360 Virtual Tours, and you will not see any rounded wall etc.<br />
<a href="http://www.customvirtualtours.ca/Tour-Gallery.html" rel="nofollow">http://www.customvirtualtours.ca/Tour-Gallery.html</a></p>
<p>Let me know what you think.<br />
Len</p>
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	<item>
		<title>By: Jon May</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1299</link>
		<dc:creator>Jon May</dc:creator>
		<pubDate>Wed, 21 Nov 2007 00:30:35 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1299</guid>
		<description>Hi Larry

Yes, I stitched as you describe then squeezed by eye. I think I may have simply moved the right transform handle inwards until the wardrobe looked OK. With a diagonal structure in the shot, such as that beam or the edge of the bed, you get line breaks, or changes of direction, transforming 1/2, 1/4, 1/8 sections if the lasso intersects the structure(requires rotation to realign - if you&#039;re lucky - and loss of image area on cropping). So if straight diagonals are present, try to include the whole thing within the lasso rather than be a slave to the fractions.

Illustrated here... http://www.flickr.com/photos/8454849@N05/?saved=1</description>
		<content:encoded><![CDATA[<p>Hi Larry</p>
<p>Yes, I stitched as you describe then squeezed by eye. I think I may have simply moved the right transform handle inwards until the wardrobe looked OK. With a diagonal structure in the shot, such as that beam or the edge of the bed, you get line breaks, or changes of direction, transforming 1/2, 1/4, 1/8 sections if the lasso intersects the structure(requires rotation to realign &#8211; if you&#8217;re lucky &#8211; and loss of image area on cropping). So if straight diagonals are present, try to include the whole thing within the lasso rather than be a slave to the fractions.</p>
<p>Illustrated here&#8230; <a href="http://www.flickr.com/photos/8454849@N05/?saved=1" rel="nofollow">http://www.flickr.com/photos/8454849@N05/?saved=1</a></p>
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	<item>
		<title>By: Jon May</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1300</link>
		<dc:creator>Jon May</dc:creator>
		<pubDate>Wed, 21 Nov 2007 00:30:12 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1300</guid>
		<description>Hi Larry

Yes, I stitched as you describe then squeezed by eye. I think I may have simply moved the right transform handle inwards until the wardrobe looked OK. With a diagonal structure in the shot, such as that beam or the edge of the bed, you get line breaks, or changes of direction, transforming 1/2, 1/4, 1/8 sections if the lasso intersects the structure(requires rotation to realign - if you&#039;re lucky - and loss of image area on cropping). So if straight diagonals are present, try to include the whole thing within the lasso rather than be a slave to the fractions.

Illustrated here....http://www.flickr.com/photos/8454849@N05/?saved=1</description>
		<content:encoded><![CDATA[<p>Hi Larry</p>
<p>Yes, I stitched as you describe then squeezed by eye. I think I may have simply moved the right transform handle inwards until the wardrobe looked OK. With a diagonal structure in the shot, such as that beam or the edge of the bed, you get line breaks, or changes of direction, transforming 1/2, 1/4, 1/8 sections if the lasso intersects the structure(requires rotation to realign &#8211; if you&#8217;re lucky &#8211; and loss of image area on cropping). So if straight diagonals are present, try to include the whole thing within the lasso rather than be a slave to the fractions.</p>
<p>Illustrated here&#8230;.<a href="http://www.flickr.com/photos/8454849@N05/?saved=1" rel="nofollow">http://www.flickr.com/photos/8454849@N05/?saved=1</a></p>
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		<title>By: larrylohrman</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1306</link>
		<dc:creator>larrylohrman</dc:creator>
		<pubDate>Tue, 20 Nov 2007 00:30:07 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1306</guid>
		<description>Jon,
Thanks for the reference. So on the flickr example you sited, I assume that you just photomerged in rectilinear and then squeezed the output of photomerge in the proportions suggested on the tawbaware.com diagram to correct. Is that right? or did you just squeeze it based on what looked right?</description>
		<content:encoded><![CDATA[<p>Jon,<br />
Thanks for the reference. So on the flickr example you sited, I assume that you just photomerged in rectilinear and then squeezed the output of photomerge in the proportions suggested on the tawbaware.com diagram to correct. Is that right? or did you just squeeze it based on what looked right?</p>
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	<item>
		<title>By: Jon May</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1305</link>
		<dc:creator>Jon May</dc:creator>
		<pubDate>Mon, 19 Nov 2007 21:32:46 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1305</guid>
		<description>My interpretation of the squeeze technique using Photoshop can be found here.

http://www.tawbaware.com/forum2/viewtopic.php?t=4250&amp;highlight=squeeze+technique

Max Lyons&#039;s site is a wonderful resource for the panomaniac.</description>
		<content:encoded><![CDATA[<p>My interpretation of the squeeze technique using Photoshop can be found here.</p>
<p><a href="http://www.tawbaware.com/forum2/viewtopic.php?t=4250&#038;highlight=squeeze+technique" rel="nofollow">http://www.tawbaware.com/forum2/viewtopic.php?t=4250&#038;highlight=squeeze+technique</a></p>
<p>Max Lyons&#8217;s site is a wonderful resource for the panomaniac.</p>
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	</item>
	<item>
		<title>By: Jon May</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1304</link>
		<dc:creator>Jon May</dc:creator>
		<pubDate>Mon, 19 Nov 2007 07:36:52 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1304</guid>
		<description>A 3 shot composite here... http://www.flickr.com/photos/8454849@N05/1383233169/ ...each taken portrait, 18mm D70
looks like about 65 degrees horizontal FOV (even though the software says 97).

A method (employed above)to correct the stretching that occurs in wide rectilinear stitches is here...

http://www.panorama-numerique.com/squeeze/squeeze.htm</description>
		<content:encoded><![CDATA[<p>A 3 shot composite here&#8230; <a href="http://www.flickr.com/photos/8454849@N05/1383233169/" rel="nofollow">http://www.flickr.com/photos/8454849@N05/1383233169/</a> &#8230;each taken portrait, 18mm D70<br />
looks like about 65 degrees horizontal FOV (even though the software says 97).</p>
<p>A method (employed above)to correct the stretching that occurs in wide rectilinear stitches is here&#8230;</p>
<p><a href="http://www.panorama-numerique.com/squeeze/squeeze.htm" rel="nofollow">http://www.panorama-numerique.com/squeeze/squeeze.htm</a></p>
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		<title>By: Marc Lacoste</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1303</link>
		<dc:creator>Marc Lacoste</dc:creator>
		<pubDate>Sat, 17 Nov 2007 09:33:06 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1303</guid>
		<description>Cylindrical panoramas seems amateur. If the scene is wider than 120°, change your point of view, walls aren&#039;t more than 120° apart in most cases.

Here is two samples of the same scene with both projections, with approx. 90° Hfov:
http://www.flickr.com/photos/croco/188121570/

I figure mentally perspective projections as the cartographer&#039;s dilemma:
* cylindrical projection (like Mercator) can revolve aroud 360° but curves straight lines and alter surfaces,
* fisheye lenses use some form of azimuthal projection,
* rectilinear projection is conformal, preserves angles and lines, but distort surfaces away from the center.

There is many variations of each, and some other, too.</description>
		<content:encoded><![CDATA[<p>Cylindrical panoramas seems amateur. If the scene is wider than 120°, change your point of view, walls aren&#8217;t more than 120° apart in most cases.</p>
<p>Here is two samples of the same scene with both projections, with approx. 90° Hfov:<br />
<a href="http://www.flickr.com/photos/croco/188121570/" rel="nofollow">http://www.flickr.com/photos/croco/188121570/</a></p>
<p>I figure mentally perspective projections as the cartographer&#8217;s dilemma:<br />
* cylindrical projection (like Mercator) can revolve aroud 360° but curves straight lines and alter surfaces,<br />
* fisheye lenses use some form of azimuthal projection,<br />
* rectilinear projection is conformal, preserves angles and lines, but distort surfaces away from the center.</p>
<p>There is many variations of each, and some other, too.</p>
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		<title>By: Athol Kay</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1302</link>
		<dc:creator>Athol Kay</dc:creator>
		<pubDate>Fri, 16 Nov 2007 23:18:52 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1302</guid>
		<description>Yeah I hate the curved lines for interior shots, you just know you aren&#039;t looking at &quot;reality&quot;. For landscapes of course you just never know the difference so it&#039;s more acceptable. Plus I suspect the photo stitch thing for panoramas is fine as everyone gets that &quot;it&#039;s outside and outside is big&quot;.</description>
		<content:encoded><![CDATA[<p>Yeah I hate the curved lines for interior shots, you just know you aren&#8217;t looking at &#8220;reality&#8221;. For landscapes of course you just never know the difference so it&#8217;s more acceptable. Plus I suspect the photo stitch thing for panoramas is fine as everyone gets that &#8220;it&#8217;s outside and outside is big&#8221;.</p>
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	<item>
		<title>By: &#187; Using Stitched Images in Real Estate Photography</title>
		<link>http://photographyforrealestate.net/2007/11/16/using-stitched-images-in-real-estate-photography/comment-page-1/#comment-1301</link>
		<dc:creator>&#187; Using Stitched Images in Real Estate Photography</dc:creator>
		<pubDate>Fri, 16 Nov 2007 21:55:53 +0000</pubDate>
		<guid isPermaLink="false">http://photographyforrealestate.info/?p=213#comment-1301</guid>
		<description>[...] You can read the rest of this blog post by going to the original source, here [...]</description>
		<content:encoded><![CDATA[<p>[...] You can read the rest of this blog post by going to the original source, here [...]</p>
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